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on the basis of sexhd

Welcome to the fantastic world of classical guitar. In this site, you will find classical guitar pieces, in midi format, for one and more guitars: actually 5641 MIDI files from 96 composers. Information on how to create midi files and a tutorial on the tablature notation system is presented. Images of ancient guitars provided.

Version franaise  

on the basis of sexhd

New Sequences by Franois Faucher

Now working on: G.F. Carulli's Gran Sonata Op.25


New.gif (284 octets) G.F.Handel's Sonata 2. Allegro 3.Adagio HWV368New.gif (284 octets)


New.gif (284 octets) .J.S. Bach's  Sonata largo BWV1079 New.gif (284 octets)

New.gif (284 octets) F. Carulli's Two Russian Airs with variations Op.110New.gif (284 octets)

New.gif (284 octets) .W.A.Mozart's Symphony No.41 (Jupiter) KWV551

.New.gif (284 octets) J.S. Bach's .Sonata 2. Fugue  BWV964 New.gif (284 octets)

.New.gif (284 octets) W.A. Mozart's Theme and variations on: "La belle Franoise" K353 New.gif (284 octets)

New.gif (284 octets) W.A. Mozart's .Rondo K.511 New.gif (284 octets)


Sexhd: On The Basis Of

She won. And more importantly, she established a legal framework: any law that draws a distinction based on sex must be subjected to “intermediate scrutiny”—a standard that, while not as strict as race, still required an “exceedingly persuasive justification.”

Below is a long, SEO-optimized article designed for depth, relevance, and readability. Introduction: The Power of Four Words "On the basis of sex." These four words, inserted into Title VII of the Civil Rights Act of 1964, were initially meant to derail the entire bill. Instead, they became the foundation of a gender equality revolution. Decades later, the 2018 biographical drama On the Basis of Sex , starring Felicity Jones as a young Ruth Bader Ginsburg, brought this phrase roaring back into the public consciousness—now available in stunning high definition (HD), allowing viewers to scrutinize every subtle glance, every tense courtroom exchange, and every handwritten legal brief as if they were sitting beside the notorious RBG herself.

The film’s real achievement is democratizing legal language. “On the basis of sex” is no longer a dry statutory phrase. It is a story: of a woman who refused to climb down a courthouse staircase; of a husband who cooked dinner every night so his wife could change the world; of a Constitution that, in Ginsburg’s words, “provides a framework for a more perfect union.” The keyword “on the basis of sexhd” may have begun as a typo, but it points to a profound truth: clarity matters. Just as high definition reveals the grain of a film’s celluloid and the texture of a judge’s robe, legal clarity reveals the hidden biases in our laws. Ruth Bader Ginsburg spent her life sharpening that clarity. She understood that a principle poorly stated is a principle easily ignored. on the basis of sexhd

This article explores three interconnected themes: the legal origin of "on the basis of sex," the cinematic portrayal of Ginsburg’s early battles, and why watching this story in HD transforms the experience from passive viewing into active witness. In 1964, Congress was locked in a bitter fight over the Civil Rights Act. Southern segregationists had filibustered for 54 days. To kill the bill entirely, Representative Howard W. Smith (D-VA)—a staunch opponent of civil rights—proposed an amendment adding "sex" to the list of protected categories alongside race, color, religion, and national origin. Smith believed his fellow Southern men would never vote for a law protecting women’s rights.

He was wrong.

For the first time in U.S. history, women had a federal cause of action against workplace discrimination. But a law without enforcement is merely a suggestion. It would take a brilliant lawyer—and a strategic litigation campaign—to turn those words into binding precedent. That lawyer was Ruth Bader Ginsburg. The film On the Basis of Sex opens in 1970, but the real legal groundwork began earlier. In 1972, Ginsburg—then a professor at Columbia Law School—took on Moritz v. Commissioner of Internal Revenue . Charles Moritz, a bachelor, had been denied a tax deduction for the cost of his mother’s caregiver. The law allowed the deduction only for women, widowers, or divorced men. Ginsburg argued that discriminating against a man “on the basis of sex” was equally unconstitutional under the Equal Protection Clause of the 14th Amendment.

However, to provide the most valuable and comprehensive response, I will assume you are looking for a long-form article based on the corrected, high-impact keyword: (the 2018 film about Ruth Bader Ginsburg) or the legal principle itself. If the "HD" refers to "High Definition" (e.g., a film review), I will integrate that naturally. She won

The amendment passed 168-133. On July 2, 1964, President Lyndon B. Johnson signed the act into law. Title VII made it unlawful for an employer to "fail or refuse to hire or to discharge any individual, or otherwise to discriminate against any individual with respect to his compensation, terms, conditions, or privileges of employment, ."


Composers are grouped in 6 pages: A-B; C-F; G-L; M-O; P-R; S-Z . J.-S. Bach ,  A. Barrios Mangore , N. Coste , M. Giuliani , F. Sor and F. Tarrega are on their own page

Click here to listen to 20 great MIDI from the site


Composers in alphabetical order

A H   R   
AGUADO, Dionisio    HNDEL, Georg F.    RAVEL, Maurice   
ALBNIZ, Isaac on the basis of sexhd  HOLBORNE, Antony REGONDI, Giulio 
ARCAS, Julin  J REIS Dilermando  
AZPIAZU, Jose de     JOBIM, Antnio C.    RIERA, Rodrigo  
B L     ROBINSON, Thomas   
BACCI, Hectr LAURO, Antonio      RODRIGO, Joaqun 
BACH, Johann-S.on the basis of sexhd  LAWES, William  ROMERO, Celedonio  
BACHOVICH,  LECLERCQ, Norbert RONCALLI, Ludovico  
BARRIOS MANGOR, A. LEGNANI, Luigi  S      
BEETHOVEN, L.V.  LE ROY, Adrien  SAGRERAS, Julio S 
BRITTEN, Benjamin  LLOBET, Miguel  SAINZ de la MAZA, Eduardo
BROC, Jos  LOSY(LOGY), Jan A.  SAINZ de la MAZA, Regino
BROUWER, Leo  LOUSE, Gilles   SANTIAGO DE MURCIA
BYRD(E), William    M  SANZ, Gaspar

SATIE, Erik   
C     MACHADO, Celso  SAVIO, Isaias 
CARCASSI, Matteo   MERTZ, Johann K.   SCARLATTI, Domenico
CARDOSO, Jorge   MILAN, Luis   SCHUBERT, Franz  
CARLEVARO, Abel MOLINO, Francesco SCHUMANN, Robert  
CARULLI, Fernando  on the basis of sexhd MONTAA, Gentil   SCHUSTER, Vincenz  
CASTELNUOVO-TEDESCO, Mario  MOREL, Jorge    SEGOVIA, Andrs   
CHOPIN, Frdric  MORENO TORROBA, Federico  SOJO, Vincente E.  
CISNEROS, Jose R.  MOZART, Wolfgang A. on the basis of sexhd SOR, Fernando 
COSTE, Napolon   MUDARRA, Alonso T     
CUTTING, Francis N   TANSMAN, Alexandre   
D    NARVAEZ, Luis de    TRREGA, Francisco  
DEBUSSY, Claude   NAZARETH, Ernesto    TELEMANN,
Georg P

TURINA, Joaqun   
DIABELLI, Anton    O V
DOWLAND, John    OLIVA, Julio C. VILLA-LOBOS, Heitor   
DUARTE, John  P VIAS, Jos   
DYENS, Roland  PACHELBEL, Johann DE VISE, Robert  
F     PAGANINI, Niccol  VIVALDI, Antonio   
de FALLA, Manuel   PELLEGRINI, Domenico W        
FAL, Eduardo  PERNAMBUCO, Joo  WEISS, Silvius L. 
FERRER, Jos   PIAZZOLLA, Astor  Y
G  PONCE, Manuel    YORK, Andrew   
GAROTO   POWELL, Baden     Z 
GIULIANI, Mauro   PUJOL, Emilio  ZANI de FERRANTI, M.A.
GNATTALI, Radams    PUJOL, Maximo D.   Paco de Lucia
GRANADOS, Enrique  PURCELL, Henry anonymous

 

 

FLAMENCO

Paco de Lucia  ; Sabicas 

 


Note to MIDI sequence contributors

Your submissions are welcomed.  Please send them by e-mail (end of text)Pieces should bear the composer's name and be properly identified.(ex.: J.K. Mertz (1806-1856) Nocturne Op.4 No.2.). The submissions should bear information on the transcriber or arranger when available. The submitter's name will appear beside the accepted submission.   

This site exists primarily to showcase pieces written for the classical guitar. Established and recognized transcriptions and arrangements (e.g., Tarrega, Segovia,..) of pieces written by non-guitar composers will also be given high priority.  

New compositions for the classical guitar are also welcomed.  New compositions that meet quality guidelines will be added to the site. For new contributors, it would be appreciated if you would also submit several pieces by known composers in addition to your own compositions.  This will help to expand the repertoire of established works for the classical guitar in addition to expanding the repertoire of new music. 

 

Last update: March 8 2026

Copyright Franois Faucher 1998-2025

INDEX OF COMPOSERS

COMPOSERS TIMELINE

VIDEOS

TABLATURE SYSTEM

TABLATURE SAMPLES

MIDI HISTORY

SUBMIT

LINKS

ANCIENT GUITARS