For the musician, it is a lesson in "locking in" with a bass player. For the audiophile, it is a concert hall in a box. And for the archivist, the string is a flag of quality—a guarantee that Billy’s ghost notes and Gerald Cannon’s string buzz have survived the digital age intact.
In the pantheon of drumming, few names command as much respect as Billy Cobham. The Panamanian-American jazz fusion drummer shattered the glass ceiling of rhythm with his work on Miles Davis’s Bitches Brew and Mahavishnu Orchestra’s The Inner Mounting Flame . But by 2001, Cobham had nothing left to prove. Instead, he chose to teach. The Art of Three is not merely a live album; it is a doctoral thesis in dynamics, recorded with the intimacy of a club and the ferocity of a stadium. Billy Cobham - The Art of Three -2001- -EAC-FLAC-
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